Although my dissertation proposal is yet to be green lit, it currently stands at "Be-Bop Jazz Records of the 1950’s lead the way in modernity for typography and design structure through it’s expressionism and freedom—is the inspiration it supplied now prevalent in contemporary design and music? Or did it just create the cliché for the designs of cool jazz?" although I have a few ideas for how it might change from that. I also hope to look at the inter-medial possiblities of records – linking the freedom of the typography from so sleeves to the freedom of music inside them.
Right now I'm stood on the very tip of the iceberg and I'm a little terrified – but here we go!
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