His influences were clearly deriving from the modernist era he was operating in; with some covers showing an obvious intermedial link; such as the one above. With his illustration, he displayed the signature playing style that the artist had; I don't think there is possibly a greater example of intermedial contextualisation on a modernist record sleeve.
If ever there was ever a strong example of modernism on record sleeves, a sleeve designed exclusively with rough handwriting, in a time of large, bold, colourful imagery.
No comments:
Post a Comment